SHOSTAKOVICH: Symphony No. 1, in F minor, Op. 10. Symphony No. 6, in B minor, Op. 54.
Festive Overture, Op. 96. St. Petersburg Philharmonic Orchestra, Yuri Temirkanov/cond.
BMG/RCA 68844 [F] [DDD] TT=64:54
To his BMG/RCA versions of the Fifth, Seventh and Ninth Symphonies of Shostakovich,
Temirkanov adds two more with the orchestra he inherited in 1988 from his late boss, Yevgeni
Mravinsky, as Music Director and Principal Conductor. (He is also the Baltimore Symphony
Orchestra's new music director, effective this autumn, and last season became Principal Guest
Conductor of the Danish Radio Symphony.) So how do these recordings rank in a populous field
of performances past and recent on CD? Slightly above average, I'll venture, among those by
major conductors and orchestras, but in neither case a barn-burner.
The playing is superb, certainly; Mravinsky was in charge for 50 years, one of the world's great
conductors with a wide-ranging repertory. He was a single-orchestra conductor, furthermore, who
drilled his troops as rigorously as Fritz Reiner or George Szell, those General Pattons of the
podium in their shared era. As the Chicago Symphony remembered Reiner's training for almost 30
years after his death, and the Cleveland remembered Szell's for more than 20, the St. Petersburg
Philharmonic (a.k.a. Leningrad, from the Revolution until the late 1980s) remains very much
Mravinsky's orchestra. But Temirkanov, on accumulating evidence, is a variable conductor,
sometimes running lukewarm, and not as I hear him an outstanding interpreter of Shostakovich.
Current versions in Schwann Opus of this same coupling are by Ashkenazy/Royal Phil on London,
Bernstein/NY Phil on Sony/Columbia, Nemi Jarvi/Scottish National on Chandos, and Kurt
Sandlering/ Berlin Symphony on Berlin Classics---none of them a clear winner, although Bernstein
comes closest (it's the orchestra that sometimes lets down). Individually, I favor older versions of
No/ 1: Ormandy/Philadelphia on Sony/Essential Classics, Stokowski/Symphony of the Air on EMI
Classics, Ancerl/Czech Phil on Supraphon, and Haitink/London Phil in an 11-CD London box of all
15 symphonies.
Symphony No. 6 has fewer but more distinguished listings overall, including three by Mravinsky
(on Prague, Russian Disc, and BMG/Melodiya). Reiner/Pittsburgh is on Sony Masterworks
Heritage (preferable to Lys' French remastering at a far-steeper price). Stokowski's Chicago
recording for RCA is currently out of print (shame!), but his 1939 world-premiere version with the
Philadelphia Orchestra has been remastered by Dell'Arte as well as Dutton Lab. And I've heard a
recording-in-progress by Gerard Schwarz and the Seattle Symphony from their new concert hall
(being edited for issue with The Execution of Stepan Razin on a label to be announced), that
promises to rank with the best in stereo---the long, broody first movement in particular.
Jay David Saks has produced the slightly dryish sound of Temirkanov's 1996 performances with
two Danish (?) engineers---brilliant but a little chilly, as most have been from the orchestra's Large
Hall at St. Petersburg. I almost forgot; the disc begins with yet another version of the Festive
Overture of 1954, written to celebrate the 37th anniversary of the 1917 Revolution according to
Stephen Ledbetter's first-class annotation.
R.D.
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